The Third Room By photographing daily scenes and

By photographing daily scenes and details of personal adds at the matchmaking corner

Each final plate state is accompanied by commentary from Kentridge

and his breakthrough portraits of the residents of a single block in Harlem in “East 100th Street” (1966–68)

Chen Zi Wua

diversification of media and popularization of mobile phones changed photography from something that records to something that is shared and consumed in real time

The Third Room By photographing daily scenes andConceptual street photographer Naohiro Harada portrayed the flickering of humanity in between light and shadow in his previous publication Drifting with Zen Foto. This time with The Third Room, Harada focused on the subconsciousness of humanity and presented its ambiguity and transience with his saturated color streetsnaps and photograms. They are Haradas attempt to depict the metaphysical relationships among movement, consciousness and