Les Maisons french portrait There are gaps on the

There are gaps on the edges

Despite the evolving phases of his career

empty plots

without any lack

Théo Van Rysselberghe and others

Les Maisons french portrait There are gaps on the20th century Belgian school oil on canvas mounted on carton signed Jean Parmentier (1883 1973) and dated 36 for 1936. The work has little texture to the touch. A brocante painting with great geometrical elements and strong shapes, this 1930's work on hard carton looks like it was created with a certain speed and freedom, which belies the sharp line details the artist added later to the structures to make them pop in their dimension. Cool tones evoke