A moor is not a mountain XI original oil and a sense of quiet

and a sense of quiet drama

the work holds space for both reverence and unease: an intimate response to a landscape that is at once beautiful

complete with an elegant gift box

only becoming visible when you learn to read their subtle traces—etched lines in the land that speak of repeated journeys and time itself

framed in a hand painted St Ives style frame

A moor is not a mountain XI original oil and a sense of quietIn this series of smaller paintings, Paula works with oils, cold wax, and embedded materials such as pigments and marble dust to create surfaces alive with texture and depth. Each piece emerges through an intuitive, exploratory process, where colour, mark making, and chance interplay freelypaint drips, solvent trails, and incidental textures become the starting point for the composition, guiding the work as much as the artists hand. These instinctive