A George II Period Carved & Gilded Wood & Gesso Fragment c.1730 sub-Rugs- Carpets & Textiles gilt piping and motifs to

gilt piping and motifs to include leaf sprays

designing lamp standards which were set up on the Thames Embankment ‘at the landing place between Waterloo and Hungerford Bridge’ in 1870 and lions’ heads for ‘the pedestals both on the north and south side of the river’

The late Victorian period sculpture or jardiniere stand fluted column with gilt-metal adornments in the form of floral swags to the top and architectural batons to each flute the whole having a square platform top on a raised square plinth

the plaster figures showing the Madonna and Child in standing position survives from a pre-Victorian period ecclesiastical setting

the thick slab seat with canted corners on block legs joined by stretchers

A George II Period Carved & Gilded Wood & Gesso Fragment c.1730 sub-Rugs- Carpets & Textiles gilt piping and motifs toOrigin: EnglishPeriod: George IIProvenance: UnknownDate: c. 1730Width: 45. 5Depth: 6Height: 12 (all at extremities & with backing board)The giltwood and gesso hand carved fragment, still of good imposing size, having been part of a larger composition, showing a heraldic eagle amongst foliage and a large flower head to a scaled sea serpent all above a helix twist frieze, having remnants of a pully or wench system to the reverse, possibly surviving from