Vol. XVIII · Free shipping $75+ · Read the collection
Feature · Product Review

A Decorative Pair of Very Large Gilt-Framed Engravings; Charles W. Sharpe after Daniel Maclise ‘The Death of Nelson at the Battle of Trafalgar’ published 1876 by Art Union of London and ‘Wellington and Blucher’, by Lumb Stocks sub-Architectural & Garden The glazed mahogany display case

A Decorative Pair of Very Large Gilt-Framed Engravings; Charles W. Sharpe after Daniel Maclise ‘The Death of Nelson at the Battle of Trafalgar’ published 1876 by Art Union of London and ‘Wellington and Blucher’, by Lumb Stocks sub-Architectural & Garden The glazed mahogany display caseOrigin: English Period: Mid Victorian Provenance: Unknown Date: c. 1876 The Engravings: 47. 5 x 16. 25 The Wholes: 53 x 21. 25 The very large pair of line engravings of a military theme, in their original gilt and gesso frames with nineteenth century glass, published by The Art Union in 1876, after the 1868 original wall paintings by Daniel Maclise in the Royal Gallery at the Palace of Westminster. The engravings are in very decorative and unrestored

SKU: 72064121787 · From meijijudolehavre.com

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Description

The glazed mahogany display case with hinged sides for access and off white interior housing a collection of exotic butterflies native to Britain and South America containing approximately forty specimens of butterfly and moth

this piece of life-saving maritime interest can be highly decorative if displayed imaginatively

Period:  George III with Victorian Decoration

due to recent legislations

” and ‘300’ to the lower right of the image

A Decorative Pair of Very Large Gilt-Framed Engravings; Charles W. Sharpe after Daniel Maclise ‘The Death of Nelson at the Battle of Trafalgar’ published 1876 by Art Union of London and ‘Wellington and Blucher’, by Lumb Stocks sub-Architectural & Garden The glazed mahogany display caseOrigin: English Period: Mid Victorian Provenance: Unknown Date: c. 1876 The Engravings: 47. 5 x 16. 25 The Wholes: 53 x 21. 25 The very large pair of line engravings of a military theme, in their original gilt and gesso frames with nineteenth century glass, published by The Art Union in 1876, after the 1868 original wall paintings by Daniel Maclise in the Royal Gallery at the Palace of Westminster. The engravings are in very decorative and unrestored

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